If you take the original chrome off and add a single coat, you are plenty close enough for redoing typical chromed reel parts. Urethane and Polyurethane powders are probably the best bet. Most “chrome” colors need a secondary protective coat, which can be a clear. The highest salt spray rating I have seen is 3000 hours, but there are powders out there that are advertised as Marine grade with a 1000 hour rating. There are UV resistant and Salt spray ratings in the specs, and it can vary by color.

It is also of interest to researchers investigating the role of music in identity formation and nation-building more widely.So here is the low-down on powder coating reels as far as I can tell. Lagu seriosa lost popularity as popular music infiltrated Indonesia in the 1970s, but it remains an iconic yet understudied aspect of the nationalistic agenda in Indonesia. The case studies of selected songs reflected continuity and change in musical style and over time. This book is of interest to scholars studying the intersection between history, politics, identity, arts and cultural studies in Indonesia. The result was the development of classical style of singing and the cultivation of a patriotic collection of music during the Guided Democracy period (1959–1965), which peaked at the height of the Konfrontasi (1963–1966). Emulating the European art song, the genre was adapted to compose songs with the purpose of promoting a strengthened collective Indonesian identity, fostered by a group of musicians who functioned as gatekeepers, monitoring and devising various mechanisms for songs to conform to the propagandistic needs of the Indonesian government at the time. Little research has been done to investigate how Indonesian music contributed to nation-building during Indonesia’s immediate post-colonial period. It also reveals the very significant role played by Radio Republik Indonesia in the genre’s development and dissemination. The author reveals how the genre was shaped to fit state ideologies and agendas in the Sukarno and Soeharto eras. This book charts the growth of the Indonesian nationalistic musical genre of lagu seriosa in relation to the archipelago's history in the 1950s and 1960s, examining how folk songs were implemented as a valuable tool for promoting government propaganda.

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